

We thwarted two aerial attacks that the enemy was preparing to launch
That kind of sounds like they had inside intelligence—did the Defense Department accidentally add them to a planning thread?
We thwarted two aerial attacks that the enemy was preparing to launch
That kind of sounds like they had inside intelligence—did the Defense Department accidentally add them to a planning thread?
As others are pointing out, there are mass protests going on—but I think there’s more to it than that.
The general message of all protests is “listen to us or else”. In the US for the last fifty years, “or else” has been understood to mean “or else you’ll lose the next election”—but it’s becoming clear that this threat has no leverage with Trump, either because he’s confident he can manipulate elections (through whatever means) or because he intends to accomplish his goals in his current term and doesn’t care what happens after that.
So protests need to find some other goal and some other message. Right now they’re looking for other weak points (e.g., Tesla dealerships), but once it’s clear they’ve got a strategy Trump is actually afraid of, the numbers will grow.
I had a really good pizza topped with stinging nettle once.
I always insist on colors within the visible spectrum.
(4) you pass, barely
That implies that 1, 2, and 3 are all failing (perhaps with different degrees of embarrassment). If all failure is equivalent in practice, you might as well maximize the non-failing outcomes and go with A.
Before copyright, storytellers sharing and reusing characters, settings, and plots was the norm. It’s the way humans evolved to tell stories, over tens or hundreds of thousands of years. We instinctively want to hear stories about characters we know, and to see new twists on familiar tales (aka “shit getting weird”). It’s why franchises, fan fiction, and adaptations are so popular.
And copyrights were never intended to protect the work of artists—they were first introduced after the invention of the printing press to censor subversive works being written for a newly-literate public, and quickly evolved into a means of creating monopolies for commercial printers. Writers were eventually given a stake in order to create a new rationale for copyright laws after they were suspended due to public backlash—but that was a minimal concession by the real commercial beneficiaries, not the main purpose.