It depends on what you think the purpose of keeping creative works outside of the public domain is. Generally, the idea is so that the original creator can make a living off of their art without someone immediately copying their work and undercutting them. The idea of keeping a character true to the original interpretation is not usually considered in this discussion.

Personally, I believe that IP should enter the public domain way sooner than it actually does. I’m generally in favor the original definition of 14 years, with a 14 year extension before the work enters public domain. That gives someone 28 years to make a living off of a character before the ideas become free game for others to use and adapt in any way they see fit.

Having Spongebob as IP keeps him on rails for who he is as a character. Change that, Spongebob as a character is changed by the public that could make the original unrecognizable

I fundamentally disagree with this premise. The vast majority of characters that are in the public domain are not significantly different from their source work, outside of a handful of modern exceptions. Dracula is still mostly Dracula, even in the modern day. Same for Sherlock Holmes, or anyone in a Shakespeare play. The idea of completely twisting a character once they enter the public domain happens, like with Blood and Honey, or that Popeye horror movie coming out, but I think you’d struggle to find anyone that only knows Winnie the Pooh or Popeye from their modern, cheesy slasher adaptations rather than the original stories.

Mortal Kombat 1

Hollow Knight fans were, of course, let down with the lack of a Silksong appearance again, but I hope they expect that by now.

I’m already wearing my clown makeup, you don’t have to be so hurtful.

WB doesn’t seem to know how to release any media post 2010.

They keep trying to shoehorn IP into trends, years after market saturation to try and capture nostalgia, and then wonder why they didn’t meet sales targets. See MK1, Space Jam 2, or anything related to HP or LotR.

The other thing they do is when they do have an interesting or original idea with the IP, the executive team seems too risk averse to put any capital behind it. See the two new Loony Tunes movies, one was in theaters for less than a week and the other was scrapped entirely for a tax writeoff.

As relevant now as it was 10 years ago

As a corporate IT drone, usually the extension blocks come from on high and we have no say in what they are. Also, the users that are smart enough to figure out ways around the blocks are not who we are worried about protecting from themselves.

Hosting documentation on Discord is like hosting it on IRC.

While a useful tool in its own right, it’s entirely the wrong choice for this job.